Glenn Delgado Esq.
Founder · Chief Executive Officer
Music executive, attorney, and catalog acquisition pioneer. Reservoir Media, Virgin Records, Arista Records, and BMG Entertainment.
Reverb Acquisition Partnership · Fund I
RAP Fund I acquires and scales a portfolio of durable, cash-flowing music catalogs overlooked by large institutional capital.
Combining the sophistication of a large institutional buyer with the relationships, flexibility, and knowhow required to source and execute smaller, complex deals.
Access opportunities through trusted relationships with labels, publishers, songwriters, attorneys, and managers.
Select catalogs using decades of publishing and frontline music industry experience.
Evaluate each income stream and resolve legal and financial complexities.
Deliver diversified, institutional-ready libraries to long-term investors.
Fund I objectives
Fund II objectives
Target average song life greater than five years, with a focus on rapid return of capital. Multiples refer to trailing net publisher’s share (NPS) or net label share (NLS), as applicable. Objectives are not guaranteed.
Music and finance professionals with decades of producing music and negotiating media deals with the biggest names in the industry. We were the first acquisition team at Reservoir Media and the former Head of Acquisitions at SONGS.
Founder · Chief Executive Officer
Music executive, attorney, and catalog acquisition pioneer. Reservoir Media, Virgin Records, Arista Records, and BMG Entertainment.
Founder · Head of Creative
Music publishing veteran and rights licensing expert. Reservoir Media, Sony Music Publishing, EMI, SONGS, and ASCAP.
Founder · Chief Operating Officer
Institutional alternatives investor, portfolio manager, and public pension board member. Terrain Alternative Partners, Benchmark Plus, Tennessee Retirement, and Bear Stearns.
Head of Diligence · Fractional
Music finance specialist in valuation, forecasting, FP&A, and M&A. Hipgnosis Songs Group, Big Deal Music, and BMG.
Under contract & in diligence · Closing targeted October 2026
A catalog of master recordings and publishing rights with full administrative control.
Acquisition multiples use the last three years’ average NPS/NLS.
Notable sync placements
Super Bowl / Tokyo Olympics / EA Sports / Fortnite
Our pipeline spans catalog sizes, genres, and stages of diligence.
Opportunities range from urban, pop, and rock to Christian, international, Latin American, country, and rap catalogs, progressing from initial queue through review, valuation, and contract.
Presented deal flow reflects the September 2026 presentation. It does not represent completed acquisitions or committed investments.
RAP Fund I
RAP Fund II
Timing, capacity, deployment, and rollover plans are targets and remain subject to execution and applicable terms.
Illustrative net returns for the 12-month RAP Fund I across different entry and exit multiples.
Bull
+87%Net return10.5× average entry
14.0× exit
Base
+41%Net return11.0× average entry
13.0× exit
Bear
−16%Net return12.0× average entry
12.0× exit
Model assumptions: 12 months; $5M equity; $20M deployed; 75% loan-to-cost debt at a blended 10%; 0% management fee; 2% acquisition fee; 8% preferred return; 80/20 carried interest split.
These are hypothetical illustrations, not a forecast or a guarantee. Actual results may differ materially. Investors may lose capital.
Reverb’s exit strategy serves institutional demand for aggregated music rights.
Announced private capital commitments eligible to acquire Reverb’s aggregated libraries of rights.
Estimated music rights securitizations in 2025 under Rule 144A and Section 4(a)(2).
Market estimates as presented in the September 2026 fund deck. Available market capital does not assure a sale or a particular exit valuation.